An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China
Official report of the British Macartney Embassy to Qing China.
An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China is the official report of the British Macartney Embassy to Qing China (1792–1794), written by Sir George Leonard Staunton, the mission's secretary. Published in 1797, the work provides detailed observations on Chinese culture and the embassy's experiences, and it became a key primary source for the historiography of Sino-Western relations.
- Author
- Sir George Leonard Staunton, 1st Baronet
- Published
- 1797
- Field
- Travel literature, diplomatic history
- Nationality
- British
- Known for
- Official account of the Macartney Embassy to China
Lore & Background
The final audience with the Qianlong Emperor and the dispute over the kowtow are detailed in Chapter Four of the second volume. Staunton presents the embassy's experiences as positive throughout, concluding with an appreciative note about the mission's novelty and delicacy. The account was commercially successful, leading to translations into German, Dutch, and French, and subsequent publications on Chinese customs by illustrator William Alexander.
Reader's Guide
The significance of An Authentic Account lies in its role as a foundational primary source for understanding early Sino-British relations. The work is central to an academic dispute: some historians, such as Alain Peyrefitte and J.L. Cranmer-Byng, view the kowtow refusal as a turning point that symbolized a clash of civilizations and led to later conflict. Others, including Joanna Waley-Cohen and Benjamin A. Elman, argue for a more complex, gradual divergence. Kenneth Pomeranz uses the account to highlight economic similarities between China and the West, attributing later divergence to resource access rather than cultural misunderstanding. The account's detailed descriptions of Chinese culture, received with curiosity in the West, contributed to its commercial success and lasting historiographical importance.
Did You Know?
- The title page presents King George III's name in a dominating spaced type, implying superiority over the Emperor of China.
- The atlas volume, printed in 1796 but not issued until 1798, contains 28 engravings by William Alexander based on his own observations and sketches by Lieutenant Henry William Parish.
- The German translation is the only version that admits being freely translated and holds no illustrations due to its small size.
- Fellow crewmember Sir John Barrow later published a negative account of the same embassy, reflecting growing British frustrations over trade.
Frequently Asked Questions
Who wrote An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China?
Sir George Leonard Staunton, who served as secretary of the Macartney diplomatic mission, authored this official report. He later received the title of 1st Baronet and is best known for this narrative of the embassy's journey.
What is An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China?
It is the official British record of the 1792–1794 Macartney mission to Qing Dynasty China, documenting the embassy's travels, observations, and diplomatic encounters. Published in 1797, it sits at the intersection of travel literature and diplomatic history.
Why is An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China considered important?
The work remains a foundational primary source for scholars studying early modern Sino-Western relations. It provides a detailed British-eye view of Qing court protocol, Chinese culture, and the ultimately unsuccessful trade negotiations of the Macartney mission.
What does the book say about the outcome of the Macartney Embassy?
Staunton's account records that the Qianlong Emperor declined to grant the expanded trading and diplomatic privileges Lord Macartney sought, including a permanent British resident in Beijing. The embassy's requests were refused, and the mission returned to Britain without achieving its principal objectives.
What genre and nationality are associated with An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China?
The text is classified as both travel literature and diplomatic history, reflecting its dual role as a personal narrative and an official state document. It is a British work, produced as the formal report of a crown-sponsored diplomatic expedition.
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